Architectural art of Tibetan Buddhism II

Architectural art of Tibetan Buddhism II
Oct 29, 2009 04:22
234353RSRXD Points: Join Date: Oct 29, 2009 Status: offline	Zuglakang Monastery in Lhasa is a representative of temples built on flatlands. The monast6ry began construction in the seventh century, with extensions over the centuries, and it is preserved to this day. The gate of the monastery faces west and is close to Barkor Street which encircles Zuglakang Monastery. Everyday, believers make a clockwise circular perambulation to show respect for the Buddha. Walking through a doorway with a porch, across a thousand-Buddha verandah, one finds the Johkang Hall, the main hall of the Zuglakang Monastery. Johkang Hall is in a plane, square shape, with four layers on all sides, partitioned into small Buddhist halls. The Buddhist hall on the axis houses the statue of Sakyamuni brought by Princess Wencheng, In another Buddhist hall, there are the statues of Srong-brtsan-sgam-po, Princess Wencheng and Princess Chizun from Nepal. The center is a large space leading up to three floors with a flat top. There is a gilded copper roof on the middle of each of the four sides of the fourth floor. Its figure is modeled after the structure of the Han nationality, and there is a truncated turret on each of the four corners. Outside the front gate of the monastery is a small encircled yard inside which there is a willow tree said to have been planted by Princess Wencheng, as well as the Fanhui League Monument of the Tang Dynasty and a monument designed to persuade people to accept vaccination. The gate of the Zuglakang Monastery, the Thousand-Buddha Verandah and the Johkang Hall, plus the small encircled yard, seem to play the role of a screen wall, and together constitute an axial symmetric space series. The encircled yard and the concave temple gate form a small square in front of the monastery, which is the starting-point of the series. The Thousand-Buddha Verandah is wide and spacious, while the Johkang Hall is closed and inhibited, providing a stark contrast. The golden roof of the Johkang Hall is full of distinguishing features: short eaves are arranged surrounding the top of the entire square outer wall to bind up the whole hall, and extend outward from the four golden-top halls that create a multi-eaved effect. Additionally, with the set-off of the turret, the image is particularly rich and beautiful.

Oct 29, 2009 04:22

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Zuglakang Monastery in Lhasa is a representative of temples built on flatlands. The monast6ry began construction in the seventh century, with extensions over the centuries, and it is preserved to this day.

The gate of the monastery faces west and is close to Barkor Street which encircles Zuglakang Monastery. Everyday, believers make a clockwise circular perambulation to show respect for the Buddha.

Walking through a doorway with a porch, across a thousand-Buddha verandah, one finds the Johkang Hall, the main hall of the Zuglakang Monastery. Johkang Hall is in a plane, square shape, with four layers on all sides, partitioned into small Buddhist halls. The Buddhist hall on the axis houses the statue of Sakyamuni brought by Princess Wencheng, In another Buddhist hall, there are the statues of Srong-brtsan-sgam-po, Princess Wencheng and Princess Chizun from Nepal. The center is a large space leading up to three floors with a flat top. There is a gilded copper roof on the middle of each of the four sides of the fourth floor. Its figure is modeled after the structure of the Han nationality, and there is a truncated turret on each of the four corners.

Outside the front gate of the monastery is a small encircled yard inside which there is a willow tree said to have been planted by Princess Wencheng, as well as the Fanhui League Monument of the Tang Dynasty and a monument designed to persuade people to accept vaccination.

The gate of the Zuglakang Monastery, the Thousand-Buddha Verandah and the Johkang Hall, plus the small encircled yard, seem to play the role of a screen wall, and together constitute an axial symmetric space series. The encircled yard and the concave temple gate form a small square in front of the monastery, which is the starting-point of the series. The Thousand-Buddha Verandah is wide and spacious, while the Johkang Hall is closed and inhibited, providing a stark contrast. The golden roof of the Johkang Hall is full of distinguishing features: short eaves are arranged surrounding the top of the entire square outer wall to bind up the whole hall, and extend outward from the four golden-top halls that create a multi-eaved effect. Additionally, with the set-off of the turret, the image is particularly rich and beautiful.

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